India Against Corruption

Kashish’s first stages: performing for the India Against Corruption movement in New Delhi, alongside Anna Hazare and Dr. Kiran Bedi.
The show is about to begin

Goa’s highest-rated Bollywood band
Bollywood · Sufi · Retro · Punjabi · Fusion, performed live in twelve languages by Kashish Kumar and his band, for rooms that don’t settle for background music.
Kashish Kumar is a singer, composer and lyricist, and the frontman of Mehfil-e-Kashish, Goa’s highest-rated Bollywood live band. He wrote and composed Hum Hindustani, a single that brought sixteen Bollywood voices onto one track.
He has shared the stage with Shah Rukh Khan, been felicitated by the Chief Minister of Goa, and performed for leading HNIs and celebrities across India and abroad. Before the stages, he sang at the India Against Corruption movement alongside Anna Hazare and Dr. Kiran Bedi.
The signature is range. A sangeet on Goa’s coastline, a gala in Dubai, a launch at the JIO Convention Centre: the set is rebuilt for the room every time, so every guest hears something that belongs to them.

Kashish’s first stages: performing for the India Against Corruption movement in New Delhi, alongside Anna Hazare and Dr. Kiran Bedi.

Best Bollywood Live Performer in Goa for Weddings & Corporate Events, awarded by Hon’ble Chief Minister of Goa, Dr. Pramod Sawant.

Sharing the stage with Shah Rukh Khan, live. One night among many big ones.
In the Press

A playlist fills silence. A boring band fills time. Mehfil-e-Kashish fills the floor, and keeps it full until the lights come up.
The band moves between genres without breaking the floor, because a room is never one kind of listener.
From the Nineties to whatever dropped last month, read live off the crowd, not off a fixed list.
Qawwali, Sufi and ghazal for the part of the evening where everybody stops talking.
Kishore, Rafi, RD, arranged live for a band, so the older table hears it done properly.
Dhol on stage, full brass energy. This is the section nobody stays seated for.
Bollywood arranged against Sufi phrasing and Western grooves: the sound that made the band’s name.
Tamil, Telugu, Malayalam, Kannada, Marathi, Bengali and more: twelve languages, sung live.
Line-up, volume and setlist change with the room. Four rooms the band knows cold.
Sangeet · Cocktail · ReceptionGoa’s beaches and beyond: a set that carries the family through haldi, sangeet and the after-party.
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Launches · Galas · AwardsFrom arena stages to leadership dinners: brand-safe, on time, and tuned to the run of show.
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Anniversaries · Homes · YachtsDiscreet, close-quarters shows for private celebrations, scaled from a duo to the full ensemble.
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Public · Ticketed · StateFull production, full band, full house: the headline slot, with the crowd on its feet by song three.
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Availability
Travel-ready with full technical and hospitality riders. Recent territories below.
If the event matters, the music can’t be a maybe.
The Blog
Craft, touring and Goa life, written between soundchecks.
The playbook behind a sangeet that never lets the floor empty, from the first haldi note to the last dance of the night.
Read
Setlists are a starting point. The real skill is watching a crowd and changing course in eight bars.
Read
Warm water, early dinners and the foods I avoid on show day. A working singer’s honest routine.
ReadPress Kit
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When Kashish takes the stage, guests don’t watch a show, they become part of one. Season dates close fast: send the date and the room, and you’ll hear back with availability and a quotation, usually the same day.